This book is limited to 2,000 hand-numbered copies. It explores in great detail how the double bass came to England; the instruments that were there before it; and the incredible instruments that were made in the 18th and 19th Century. With 766 colour photographs presented over 526 pages this is a must-have for anyone with an interest in the double bass.
The pre-eminent orchestral animal, the English double bass provides power and depth of sound amid great clarity and immediacy. The English makers of the 18th and 19th Century produced instruments which set a benchmark still looked up to today.
Published in 2018, it chronicles the rise and fall of the English double bass makers, providing compiled information on their work, instruments and lives in a level of detail not seen before.Some 766 stunning photographs of double basses are printed on high-quality fine art paper and are enshrined in a single leather-bound volume. This is a valuable contribution to the history of the double bass, and as such is an essential addition to the libraries of researchers, players, museum curators, luthiers, restorers and valuers.
Order before 31 January 2019 to have your copy of The English Double Bass signed by the authors along with a personalised message.
Co-authors Tom Martin, George Martin and Martin Lawrence first conceived The English Double Bass through a shared fascination and admiration for the English double basses of the 18th and 19th Century. All three are world-renowned respected double bass makers, repairers and restorers.
As string-instrument family professionals, all three have been privileged to see and hold many fine double basses as they have passed through their hands over the years. In addition, Tom has played fine English double basses throughout his career as a musician.
Following a series of articles commissioned by The Strad, and inspired by the BVMA’s seminal work The British Violin, Tom, George and Martin conceived a fine-art book. The trio’s collective vision was to showcase high quality pictures of the best examples of each maker’s work with a biography to set the context. This is the first in a series of books that the authors are intending on producing, their vision is for a full set of double bass books covering the instruments made in different regions.
With 766 images across the 526 pages of The English Double Bass, high quality photography was paramount. Many instrument pictures were acquired over time, with some on large-format 5x4 transparencies. These had to be digitised and colour-corrected by the authors before printing.
The photography production process was a significant aspect of the work involved in producing The English Double Bass. Even with modern digital photography, careful colour retouching was essential to ensure the colour of each instrument was as true to the original as possible. The end result now enables off-the-page comparison of different instruments by researchers, museum curators, auctioneers, luthiers and valuers who will be able to use the work for future study.
A valuable contribution to the history of the double bass, The English Double Bass is an essential addition to the libraries of musicians, researchers, museum curators, auctioneers, luthiers and valuers.
Limited to just 2000 hand numbered copies, The English Double Bass is set to become a collectors item.